
Winner
null² is a sculptural pavilion embodying Digital Nature, formed from voxel clusters of 2m, 4m, and 8m cubes. These are wrapped in a newly developed 98% reflective mirrored membrane that responds to wind with wave-like motion, distorting the environment in fluid rhythms.
In an era when the value of physical attendance is questioned, null² presents a compelling reason to visit — a space that bridges physical and digital realms. Subwoofers and robotic arms embedded in several cubes generate low-frequency vibrations and kinetic shifts, transforming the membrane’s surface and its surroundings in real time.
Inside, endless mirrored reflections, synchronized robotic motion, and digital displays immerse visitors, making them part of a dynamic environment. The pavilion behaves like a living organism — breathing, reacting, and evolving with its context. It redefines architecture as an interactive entity where machine, material, and human presence are deeply intertwined.

Winner
千年廬州,翠影叠嶂;軒廊靜立,文脉綿長。
【高速 · 壹品會所】項目落址于安徽合肥,DAS大森設計汲韵廬州在地文化基因,脫離傳統售樓空間的桎梏,以現代東方美學爲筆墨,延“四時之境”爲脉絡,呈演自然、文化對生活方式的百般塑造,禮獻層峰圈層,重構雅奢生活的詩意表達。




Winner
該項目位于武漢漢陽區,旨在通過藝術融入城市更新,提升城市競爭力。室內設計以“光”爲主題,借助多媒體展示光的多樣性,創造獨特的藝術體驗。設計融合互動藝術裝置、反射材料和不同時間段的光影作品,同時强調可持續設計,采用環保材料和自然光。整體空間不僅展示藝術與科技的結合,也爲訪客提供沉浸式的情感共鳴,提升城市文化深度。

Winner
君和。君,尚德也;和,相應也。
謂君子者,都從骨子裏散發著“儒”與“道”的氣質。儒以入世,道以出世,群而不爭,矜而不黨,取捨之間,心自平和。是故君子如玉,溫潤而澤。因此,項目整體設計以簡練的綫條、純淨的色彩、不事雕琢的質樸,賦予空間溫潤雅致的謙謙君子情懷。




Winner
The Land of NOMO is an experiential pavilion at Expo 2025 Osaka designed to unlock children’s potential through emotional storytelling and multisensory exploration. Its interior transforms natural motifs—forests, ancient trees, and crystals—into a mysterious, picture book-like world that inspires curiosity and imagination.
Refined through extensive prototyping, the spatial layout and interactive features are attuned to how children perceive and move. Each zone encourages discovery through shifting light, ambient sound, mist, and texture. Custom tiles from Tajimi, designed to evoke the sensation of walking on a forest floor—even with shoes—are also modular and reusable.
Sculptural elements are 3D-printed from biodegradable resin designed to return to the earth within eight months—balancing visual clarity with environmental care.
Through responsive design and emotionally attuned materials, the pavilion becomes more than an exhibit—it becomes a mirror of each child’s inner world and a joyful, inclusive vision for architecture’s future.

Winner
穿梭在流動的藝術空間,感受自然空間的無限生長,領略生活之美的沉澱與延伸在自然與人文的共鳴的詩意空間裏,開啓對未來生活的美好感受。天外有天,自然變化之道。設計融入了生活的自然,喚醒萬物的感知,喚起人們的回應。將花意藏進售樓處中,以自然之道,養萬物之生。每一朵花都盛開,將花園中的景物演變爲室內空間的景物,讓室內感受到自然的設計存在。







Winner
本展覽空間使用100%可持續材料,展示環保實踐與常規設計的結合。模塊化設計减少廢料,提高可回收性,采用菌絲磚、秸秆板和稻穀殼木材等創新材料,這些材料具備耐用、防火、節能等特點。設計强調“材料替代邏輯”,使設計師更容易在未來項目中采用可持續材料。展覽結合美學、功能與可持續性,互動性强,確保可持續性影響延續。

Winner
朗生集團總部展廳以 “情緒劇場” 概念突破傳統,基于空間美學、品牌賦能、商業價值構建體驗場域,采用自由動綫與沉浸式燈光引導探索,通過零售、實驗室等場景模擬及朗生板材質應用,融合多維感官與科技。空間以光影、金屬營造藝術感,QIT 系統實現高效環保施工,亮點在于非綫行動綫、場景交互及可持續技術,兼顧品牌傳遞與商業轉化。

Winner
該展廳面積近700平方米,以“無限魔方”爲靈感,體現靈活性、創新性與科技感。通過黃金分割比例優化空間布局,融合兩個展區,設計了環形動綫。展示了智能馬桶、節能技術等創新産品,幷通過互動裝置、旋轉面板等元素增强觀衆的沉浸感。設計突出可持續性與人機互動,結合現代色彩、燈光和聲音,提供引人入勝的參觀體驗。

Winner
‘Mangrove’, the world’s largest tubular glass installation at nearly eight stories tall, is Solaire North’s artistic focal point, conceived to encourage visitors into its monumental atrium and upwards through the building. Inspired by native mangrove forests, the sculpture brings the essence of nature into the heart of an urban development. Its colossal, transparent branches and tendrils undulate 27m towards the atrium’s skylight and are dynamically transformed by ambient lighting. Always mesmerising, ‘Mangrove’ can be enjoyed from all angles.
Structurally complex and innovative, 35m wide and incorporating over 11km of interwoven glass tubing, each of its 16,385 tubes has been created by hand. They are held together by thousands of joints, enabling the structure to flex and absorb seismic vibrations - a massive dampening system redefining what glass can do: not just span space but animate it with emotional resonance.



Winner
紅磚遍布理大校園,展覽館正面墻的設計以現代風格致敬了這個特色。透過墻上的孔洞,視野不斷變換,可以見到背後的紅磚。墻上的水泥磚采用理大研究人員研發的可持續水泥製成,象徵理大在香港工業歷史中扮演的角色,以及對未來創新的承諾。
展覽館將帶您穿越不同的區域,深入瞭解理大追求卓越的歷史,以及理大如何發展成爲一間創新世界頂尖大學。




Winner
保利·棠隱融合售樓部與會所功能,選址三亞大灶村歷史民宿舊址。設計團隊以節能、可持續爲核心理念,通過改善性設計實現建築再生。從建築、景觀到室內一體化改造,項目完美平衡傳統與現代,既延續歷史文脉又注入當代審美,打造獨特空間體驗。改造後的建築煥發新生,彰顯對文化傳承與創新發展的雙重追求,成爲歷史與現代交融的典範。



