Winner Detail

Letting the limited light flow in the space, making use of the materials to create a coherent and light-serving space atmosphere, is the main design subject except for plane configuration. Micro-cement and walnut set tone for the space, supplemented by glass, stainless steel to connect the space. Both people and light can flow freely in the space.

The opening and closing of the space are like water channels, crisscrossing with a free and harmonious network of people, light, material and space.

By remaining the original architectural structure, the industrial heritage has been transformed to a gallery to revitalize the old building, which is the significance of the project. Our design concepts are fully implemented in the project. For the internal functions and design, the first floor is the aesthetic space and showroom of sanitary ware, while the second floor is for offices.

We used simple blocks to build abstract mountain massifs, confuse the boundaries, and make the illusions of “being in the mountain” for in-depth sightseeing experience and an interior world with oriental aesthetic tastes.

It separates daily behavior and perception, blank, fracture, float, dissociation, cut, concatenation in a strange way, expand the existing context, remove the current meaning, and create a dematerialized landscape. However, the purpose is not for alienation, but to release the energy of perception completely in the pure vacuum atmosphere beyond matter, to touch a kind of immaterial experience in an absolute way.

The growth of space is not just the growth in the dimension of time, but also reveals a kind of growth along with nature and participation in the entire process of naturalization of space.

As Isamu Noguchi said, ""Concrete could be natural, interstellar space is natural."" In such a context, the ""landscape"" of geometric blocks is a real landscape, and the ""garden"" built artificially in the interior is also a real garden.

This project is a 3-bedroom condo show flat intended for a family of 4 – a pair of young professionals and their preschool children. Conceived during the time of Covid-19 when quarantines were in place, the apartment was designed to help foster closer ties within the family while giving each person the space they need to work, play and grow as an individual.

We referred to studies on the effects of staying at home among people during the pandemic and gained insights for our design exploration. The shared spaces have an open plan for lounging, eating and working. Aside from creating a seamless area, this layout allows parents to keep an eye on their young ones at all times for peace of mind.

Quiet places were also catered, a coffee nook carved into the back of the unit provides a quick getaway from the chaos of the family.

We found that contemporary youths tend to consume coffee, milk tea and light alcoholic beverages as their main leisure drinks. Due to the street invasion of coffee and other new beverages, they are rapidly filling every corner of our lives.

As a traditional Chinese beverage, tea drinking is becoming more and more artistic in the city, with its ornamental value higher than the drinking value. However, by its nature, we believe that tea drinking should be dissolved in life.

Based on the thousand-year historical background of Changsha, integrating design with modern technology, designer used the basic techniques of geometric elements with a sense of futuristic technology, to present an interstellar play world where ancient civilization and the future meet, and a spiritual realm exclusively for Changsha.

Using the concept of scattered stars, the designer integrates simple points, lines, surfaces and bold color schemes into the space planning. Coupled with local humanities and modern technology elements, cross-domain collisions create a stunning visual feast. The large-angle bent copper section wall in the lobby is alternately compressed by concave and convex, extending the structure of time and space.

Rendered with red light, a T stage runs through the center of the lobby bar. The dark tones extend and lengthen the calm of the space, and the neat lines depict a rational space, deducing mysterious atmosphere.

The interior design concept reflects the art of the Japanese tea ceremony. We incorporated the omotenashi spirit, the Japanese hospitality, into the space reminiscent of a tea room, where a host warmly serve one’s guests with meticulous attention. The easy-to-use sanitary features and the daybed inspired by Japanese engawa (veranda-like porch) offer the guests a comfortable stay with functionality.

For the spatial elements, wooden lattices, tatami mats, sliding doors, hanging scrolls, and tea ceremony utensils are given a modern twist. They create an atmosphere with a sense of dignity essential in a tea room, but a space with a contemporary expression. In addition, artworks such as the original pine and chrysanthemum graphics inspired by the sliding door paintings in Nijo Castle, and wallpapers featuring the beautiful surrounding mountain range, add color to the space and a unique personality to HIYORI Chapter Kyoto.

The interior design concept reflects the art of the Japanese tea ceremony. We incorporated the omotenashi spirit, the Japanese hospitality, into the space reminiscent of a tea room, where a host warmly serve one’s guests with meticulous attention. The easy-to-use sanitary features and the daybed inspired by Japanese engawa (veranda-like porch) offer the guests a comfortable stay with functionality.

For the spatial elements, wooden lattices, tatami mats, sliding doors, hanging scrolls, and tea ceremony utensils are given a modern twist. They create an atmosphere with a sense of dignity essential in a tea room, but a space with a contemporary expression. In addition, artworks such as the original pine and chrysanthemum graphics inspired by the sliding door paintings in Nijo Castle, and wallpapers featuring the beautiful surrounding mountain range, add color to the space and a unique personality to HIYORI Chapter Kyoto.

The hotel sits in a premium corner location, with its sharp in-situ concrete facade quietly blending into the existing urban context. The white stucco walls match those of traditional townhouses, such as the one next door. Guest rooms overlook Oike avenue, best known as venue of the famed Gion Festival, where proceedings of huge floats mark its climax.

To take full advantage of the commanding location, rooms are fitted with large expanses of floor-to-ceiling windows, allowing guests to feel “immersed” into the city.

DEJI Cultural Complex is a new type of entertainment venue that provides a fusion of cultural-arts complex and commercial facility on its top 7300 m2 floor. The place has sophisticated yet inviting ambiance since there is no walls between each area. Eliminating entire walls freed the space from having the boundaries between inside and outside—giving customers a little “preview” before entering the space.

The entire design reflects the culture, people, and the city of Nanjing; therefore, visiting this complex easily becomes part of their lifestyle.

This project presents a new urban species integrating aesthetics, space and social interaction. It pays more attention to the user's sense of experience. The combination of space and commodity display makes the space more hierarchical and artistic. Orderly logic and pure artistic taste make the brand charm can be redefined.

We use the curve full of vitality in a large area of the space, creating the rhythm of the space while colliding with the straight line, making the materials of different textures collide, affecting the space and the scene, making the space both flexible and interesting. In terms of structure, the designer uses architectural thinking to express this space, and accurately applies color blocks to each space.

Through the guidance of structural relations, the transition between space becomes interesting and enrichis the exploration and guidance of space.

Recovered the original hall, compresses the door of the original mechanical scale into the entrance space suitable for the human scale. The exposed cave ground, the deep and tall corridor, created the feeling of entering the ceremony. This is a space that allows you to resonate and familiarize, a space with temperatures.

The warm light of the layer map allows the new structure to interleaves with the old style, and the simplicity of the hall is a different landscape in the old factory. The hard cooling of the appearance, the internal warmth, this is a custom shop, and it is also a presence that exceeds the custom store.

The building itself is the warehouse of the workshop in the 1970s, with a reinforced concrete frame structure. However, after repeated renovation, the spatial characteristics of the warehouse itself have been very weak.

Through analysis, we extract the characteristics of the product itself to obtain the operation method of spatial form. Aritco is a screw elevator with transparent and light appearance, which is the crystallization of excellent industrial design and developed industrial production. We extracted tangible elements such as screw, control table and elevator proportion to express product characteristics such as vertical movement, suspension and speed.

Like Bao Zhong's painting, the overall matte black space becomes the display background of the red elevator products. The original building structure and walls are selectively exposed, and the core components of the elevator are displayed inside the space as exhibition intervals.

Our design implants the brand values into the space, and proposes “one's own rebel"" as the main thread that runs through all the elements. The rebelliousness of the interior space is reflected in the flexibility of the space, while using simplicity to against complexity. From the logic of the floor plan, we follow a flexible, dismantling and changeable way to endow the space with diverse functions.

Most importantly, it is a space that promotes interaction and communication. Living in a world so vast, we come to know the infinity within our own selves too. While there are certainly challenges surrounding us, perhaps resolving our internal struggles proves more significant to the individual. We hope this place can make people forget about their physical bounds, and focus on the essence of the message.

We hope our design offers an uncompromising persistence, a desirable rebellion, and the freedom to explore more possibilities.

Ganko Sushi is a famous Japanese Sushi restaurant brand that offers Omakase dining experience. Large areas of marks left by concrete formwork are exposed, endowing the space with natural textures. Charred fire wood pillars divide the ceiling, and connect with the floor to form a Japanese-style wooden eave structure.

The supporting pillars' sense of strength and parallel arrangement express the structural aesthetics of the space. For material selection of this project, the design team considered the culture of traditional Japanese cuisine and the philosophy they hoped to convey in the space. The meticulous control of material textures reveals ingenuity in design and detailing.

Coffee industry has been in an unprecedented booming state locally and globally. This trending culture embraces well-told stories and fascinating presentations from serving, graphics to spatial design. Simply a good cup of coffee is not enough for the retails to gain a margin given the competitive environment.

Customers want ever fresh and diverse experiences while exploring shops. Our client enquired us to renovate the espresso bar in a novel way to further boost his brand on the map. Spatial reinterpretation of the coffee roaster and shop tasked us at a commercially bustling district in Taipei. The overall design conveys a rational yet dreamy picture thanks to the novel material reinterpretation and precise fabrication.

We let the subtle elements do the talk. Color matters. Translucency matters. Geometry matters. So do perceptions from taste bud to the sense of time.

After an in-depth understanding of the spirit of gardens, Designer extracts, dissembles and reconstructs the elements of the gardens in Jiangnan. In this space, customers are introduced to the Suzhou impressions in the eyes of SWEET 7. The brand hopes its customers can appreciate the beauty of the garden through a small store.

Designer incorporates Suzhou architecture and Jiangnan garden style, and reinterprets it with a modern approach – the color palette combines the traditional white walls and black tiles. But its presentation is very modern. The minimal black and white are set against the warm lighting, which creates a casual atmosphere in the courtyard.

The illuminated ceiling made from soft film creates the outdoor atmosphere. The overall color palette of black and white gives customers the first impression of the shop theme. Enjoying the slow Suzhou and tasting SWEET 7.

The client is a chain dental clinic with a history of over 15 years, requesting a new brand space with renewed visual identity, spatial structure and humanistic aesthetics, so as to dispel the depression and anxiety brought by conventional dental clinics. Contemporary art and a sense of technology are balanced, meeting the demands for upgrading healthcare consumption.

The designers adopted the concept of “contemporary art gallery” to integrate the medical space and contemporary art. With natural, geometric and artistic elements intertwined in the white space, the project offers a peaceful, comfortable and warm dental experience. The project uses minimal resources to create a space with optimal comfortable functions, light environment and an organic, resilient microclimate.

It features high-level cleanliness, low maintenance cost and artistry, setting a model for post-pandemic spaces.

The project is a relocation of the Tokyo branch of the national bank of Indonesia, Bank Negara Indonesia (BNI). The client sought an innovative space that would serve multiple functions, including a bank branch, a social space for investors to gather and share ideas, and a showroom to promote the richness and warmth of Indonesian culture and its people.

Our approach was to create an inviting space in the city center that maximizes its appeal to interact and engage with the large number of people passing through Tokyo daily. The complex requirements of the project included incorporating both Japanese and Indonesian aesthetics, showcasing modern Indonesian innovation, offering luxurious hospitality, and integrating BNI's corporate colors of orange and Tosca green into the space.

The multifaceted appearance represents the very spirit of BNI, connecting Indonesia and Japan while reflecting the bank's goal to become a global bank takes roots in local communities.

The library is located in Lixia District of Jinan, Shandong Province, surrounded by cultural, educational and creative commercial resources.

As one of the eight venues of the cultural and archives center, the library occupies the 2nd to 4th floors on the southwest of the center.

In response to the theme of sharing and the trend of the era, we started from people's perception and experience, optimized the sight relationship in the space, placed space nodes, added functional spaces, reorganized people's social behavior, and promoted the realization of shared knowledge.

As a iconic urban cultural building, we hope to create a center that gathers local residents. The library provides a place for residents to develop good reading habits, and facilitates them to carry out various social, cultural, entertainment, and sports activities, and builds sharing community.

As a former industrial base of China, Changchun City has many old factories to be abandoned. The heritages completely preserved have carried memories of generations. In the renovation design of the Changchun Tractor Factory, we took "Unfinished Symphony" as the theme, used the cultural power of Yanjiyou Bookstore to innovate the times memory, and adapt the sustainable concept into the urban renewal, seeking innovation in heritage conservation and building reuse.

The huge dome installation, combined with the spiral staircase, puts the condensed architectural form into the space, creating a ritual sense of time and memory.

The design narrates the collision between cultural fashion and industrial power from a unique perspective, showing a different innovation from traditional old renovation projects. The project has also become a model for industrial urban renewal in the Northeast China.

Based upon Yung Zing Tung's core branding, it incorporates product demonstration, culture impression and brand image. With its vast openness and extreme simplicity, subjects on display grasp your attention at the first glance. Conformity and individuality interact with each other with harmony.

Located in Jiangmen, Guangdong, China, Times Blossom Sales Center has superior geographical conditions, which is radiated by the Guangdong-Hong Kong-Macao Greater Bay Area (abbr. GBA) economy, and with good transportation and fast links to various industrial parks. By using the irregular horizontal texture presented by rammed earth paint, the appearance has a unique and poetic material texture, while the space has a primitive texture, which is awakening people's deepest complex to the land.

People walk and shuttle in the space, as if far away from the noisy city, and obtain rare tranquility and precipitation.

It is an airport TOD project integrating business, office, exhibition and government services.

The design takes "Ark" as the metaphor to create the urban planning exhibition hall and theme office area of "The Aviation", which means the urban development centered on the port economy, and thus sets off for a new voyage. The urban planning exhibition hall are inspired by the "City of the Future",to lead the people in the continuous space feeling about the macro experience of ideal future.

In addition to the function of urban planning exhibition hall, the project also undertakes the functions of office, roadshow hall and sales center negotiation.

The design takes cyberpunk as the way of spatial expression, creating a sense of science fiction space.

The exhibition hall space is mainly divided into a reception area, a meeting area and an exhibition area. The exhibition area is composed of three square boxes, which are divided into different exhibition spaces. The staggered movement of the box, the different degrees of enclosure of the walls, and the staggered migratory movement lines run through the entire space, creating an exploratory movement line for visitors and an interesting space wandering experience.

The space is not a traditional material exhibition hall, which does not directly display and display products, but more like an art space. The product is not only the material itself that constitutes the space, but also the artwork used for exhibition.

Home is the layering and collection of life. Much like bricklaying, each brick constructs the home like the footsteps taken on the racetrack of life, taking you closer to realizing your dreams, brick by brick, step by step towards the apex. It is like being on the racetrack drifting at full speed, winning the race, and being rewarded with the most stunning view to enjoy for the rest of your life.

Within a newly developed area of Taipei City, constructions are booming but on the other hand create ever more concrete jungles in the neighborhood. Residential towers are butted to each other or sitting face to face which lead to certain discomfort for flat owners. We redesigned the flat with carefully designed and executed interventions to tackle this issue for an airy and refreshing atmosphere with desired natural lighting quality and improvement of ventilation as well as optimized allocation for private and shared spaces in which the clients may better enjoy home yoga and other family activities given spending more time at home during the pandemics.

This penthouse located in Chaozhou, a city with a long history. Sitting on the top of a tall building, the apartment enjoys a full view of the river and a 270-degree view of natural landscapes in Shantou, Chaozhou and Jieyang. The simple residential structure and favorable natural resources gave the design team much freedom to conceive the home.

Open layout, coupled with minimalist restrained aesthetics and large areas of blank surfaces, reveals a sense of serenity and inclusiveness. White color shades produce a background for highlighting the owner and his hobbies, and also create a calming home that evokes a restrained state of mind.

Letting the limited light flow in the space, making use of the materials to create a coherent and light-serving space atmosphere, is the main design subject except for plane configuration. Micro-cement and walnut set tone for the space, supplemented by glass, stainless steel to connect the space. Both people and light can flow freely in the space.

The opening and closing of the space are like water channels, crisscrossing with a free and harmonious network of people, light, material and space.

We grasp a suitable degree of connection between the respective functional fields, and consciously create the interest of communication between the fields through the living habits of the owners, such as angles within sight. We try to influence family activities and opportunities for emotional communication through limited spatial relationships, so that every bit of life can present the true emotions of space.

The interior of this design contains 75% white space. A large area of white space on the wall and white cabinet make the sense of sight feeling pure and concise. Different color of the floor of each space is the emblem of resident’s identity. Seamless gray floor in the public domain no only accentuates the using of the place, but it also be a dye to balance the color in the space.

The shadow cast by the light into the interior draw the outlines of all objects in the space, increasing the three-dimensional effect and creating a simple and powerful sense of space.

Through the window, the sunshine pierced through, entering one’s daily living. The curved elements introduced for the cabinets under the low ceiling in the hallway were for leading and extending the vision so as to greatly reduce the pressure of low ceiling. When it comes to the configuration of tiny space, we highlighted the mixture of storage space and beauty.

Embedded into the wall, the storage space also served as a coherent room for kitchen ware and TV, echoing the relationship between the kitchen island and dining table, flawlessly redefining the traces of space users, with sunlight shuttling along these traces.

The unit has the inherent advantage with practicable partitions.

To maintain privacy, we have opened up a foyer, built a shoe cabinet and a concrete counter with a fireplace installation in front of the main door, and a small storage area behind a full-length mirror. The external wall has been outlined into rounded corners to add an aesthetic sense to the lines. Besides, we have worked on the kitchen layout to double its space.

The now-open kitchen is connected to a kitchen island and the living room. With this ingenious design, the overall visual space beheld is not affected by the structure between the door and the living room. Instead, it has become the limelight of the whole unit.

Dubbed as Diamond-shape living rooms, the small apartments in Hong Kong sometimes come with a lot of unpleasant acute angles, which to a great extent hinders how the space is efficiently utilized. However, such a unique design challenge can oftentimes create unique and novel interior spaces. In this entry, just like polishing a precious gem, we carefully chip away all the sharp angles, refashion all the partition walls, and free up the usable living spaces.

The major intervention is the L shape partition wall that cuts through the apartment in half. It leads the owners and visiting friends to a series of different spaces. Like walking down a modern art gallery, the textures, color forms next to you change with each step you take, from light grey to olive green, to white and beige; from squares, to ovals, to arches and spheres.

Music is the theme, the staircase is the main spindle, the handrail and the curved wall form the treble notation in the score, and the handrail is also deliberately outlined in the sheet music, the steps of the spiral staircase naturally form piano keys. Starting from the music area, holding the sheet music, step on the piano keys, pass through the treble notation, follow the wood veneer, as if the music flows in every conner, echoing the trilogy formed by the three level spaces.

We extracted the images of ‘blue sky’ and ‘white cloud’ from the brand name. You can see elements of these 2 concepts throughout the entire space - each independent functional area is combined with various practical purposes to create designs with unique characteristics. We present the concept of ‘white clouds floating in the sky’ abstractly in the form of arcs.

The different arcs create a rich variety of changes to the space and the light way of illustration also reminds people of the weightlessness associated with clouds floating in the sky. In the design process, the arc-shaped metal plate was cleverly extended into the hallway. The arc shapes on both sides of the hallway follow the curve of the walls and extend out from the ceiling.

It seems that the audience can walk inside of the ‘floating clouds’.

The project is located in Sino-Singapore Knowledge Town, Huangpu District, Guangzhou.

The design team is based on historical culture and regional context innovation, and the popular Southeast culture has been passed down for more than a hundred years, which is a leading guidance for the design to extract the local culture and natural primary colors, apply the materials to the interior space, and make the whole space full of agility and vitality.

The combination of high-gloss golden tiles and dark walnut wood shapes the elegance of the kapok in Lingnan, creating different dimensions, the collision of old and new elements, and the jumping colors all describe the exotic scenery of Southeast Asia, and also show the open and optimistic attitude of the overseas Chinese in Southeast Asia.

As the new flagship store of MediLASE, a professional hair removal company, this project is all about creating a space that is distinctive, yet enhance the brand identity uniquely. Before this project became a reality, a thorough study of the brand has been conducted, in order to maintain the consistency between ideal concept and actual customer experience.

As the result, the entire design is presenting the established elements of MediLASE, which are “secure, peaceful, gentle, futuristic and metropolitan femininity”, to make sure the clients have a pleasant visual experience while creating a sense of belongings to them.

It separates daily behavior and perception, blank, fracture, float, dissociation, cut, concatenation in a strange way, expand the existing context, remove the current meaning, and create a dematerialized landscape. However, the purpose is not for alienation, but to release the energy of perception completely in the pure vacuum atmosphere beyond matter, to touch a kind of immaterial experience in an absolute way.

The growth of space is not just the growth in the dimension of time, but also reveals a kind of growth along with nature and participation in the entire process of naturalization of space.

As Isamu Noguchi said, ""Concrete could be natural, interstellar space is natural."" In such a context, the ""landscape"" of geometric blocks is a real landscape, and the ""garden"" built artificially in the interior is also a real garden.

The project is located in Chengdu, Sichuan Province. Coherent design in the world is few, but the coherent space experience isn’t difficult to have. Air flows into interior, swinging and sinking at the twists and turns, flickering and echoing at the wide space. We try to make the curves of construction and the meanders of boundary, by hiding, folding, compromising, surrounding and protecting, then an open space with breathing sense is built.

Under the neutrual character in black, white and grey, we gives life with rhythm of loose and tight.

This case through insight into the hearts of contemporary 90women open-minded and brave, express the spirit of a new generation of women style, in their own small world, listening to the years, gentle and free. Marble and metal texture collision, just reflects the space elegance and quality. Drawing light into the room, through the flow of light and shadow, in the horizontal extension to open a scene and the interaction of the shadow.

Here, when different spaces are connected with each other, the multi-function hall can be switched freely, bringing people a different living experience.

The project is located in Fengning Manchu Autonomous County, in the middle zone between the farming culture of the Central Plains in the south and the animal husbandry culture in the north. Under the creation of design, the beauty of the full spectrum created by nature can be traced. An initial moving evolved into a spatial work.

Every centimeter of color, pattern and texture in the space is poured into the designer's smart language, carefully selected art and design, so that objects can form an interesting dialogue of harmony or conflict with each other.

The project is a design studio, and its main business is to design the owner's home. For every family, the design of a new home is an expected dream. In the lonely reinforced concrete city, there are thousands of buildings.

Through the windows and doors of each building, we have been looking for the lights inside. Because there are stories in every window and door. We combine the spiritual core of surrealism Gertrude Abercrombie, and integrate the thinking and design of windows and door openings into the interior.

Contempo is the office of an established architecture and interior firm in Hong Kong. The former industrial space is transformed into a hybrid work and creative environment, designed to promote a sense of community and inspire ingenuity. Open work areas merge with a myriad of social spaces, drawing on an inventive palette of warm oak, galvanized steel and subtle colors to impart a calm ambience.

A feature timber staircase leads to the upper floor, where a standalone, multi-purpose gallery showcases commissioned artwork and sculptural pieces. Set in the corner of the gallery, a striking retail display stands out with textured hunter green walls and speckled terrazzo.

And the project was born in the spread of the epidemic. We reconsidered the practicalities and possibilities of working in an office scenario, and explored the design of office space and tried to redefine it with this possibility in mind. In the traditional office space, there are usually several kinds of spacewith maximum useful frequency, such as reception, independent office, negotiation room and conference room.

We try to remove the main function of the office and define the office space as a composite space.

This new office opens a new chapter for JG Phoenix in a new city. It pays attribute to the past, and also carries expectation and rich imagination of future space design. A key design thread of this workspace is to show respect to classics.

The designers utilized architectural languages to interpret forms, and meanwhile carefully considered light and shadow effects as well as details. Some materials are given an aged texture, and others present clear grain. The treatment of materials reflects meticulous pursuit of craftsmanship and detailing.

A Spatial Celebration of Hong Kong’s Cultural Heritage With the rapid growth of urban development, old shops and street stalls that shape our cultural diversity will be demolished and eliminated, causing a gradual disappearance of local traditions and cultural heritages. To revitalize and celebrate these valuable and established practices, an elevated temporary bamboo structure is designed, creating a festival space for citizens.

Considering bamboo as a material used for urban interactions, the festival takes place annually and aims to engage people to experience and explore local street cultures and craftsmanship, through workshops and performances manifesting the spirit of Hong Kong traditions.

The design sets two ceramic artist couples as the owners. By studying the living habits and artistic concepts of the two artists, the artistic concepts and artistic creation are integrated into the living space, so that the living space and artistic concepts complement each other, and the home becomes the inspiration of artists and the perfect place for the expression of artistic concepts.

Iceland, half of the year is covered under ice and snow, while the hot spring brings warmth to this area. Water, as the origin of life, became the greatest gift for Iceland from the lord. We imitated the natural form by simulating the solidified fountain and covered functional spaces with local material.

The fountain-shape tower in the middle rushed out of the ground like new branches, becoming an irreplaceable landmark building. The site is at Grjotagja cave, the northern part of Iceland. Unlike other natural landscapes, the cave is like a hidden Utopia Wonderland right under the land. There are geothermal hot springs and a prestigious wonder of nature underground.

Suicide is a tragedy that affects families and entire communities, with lasting consequences for the loved ones and friends of the deceased. Elevate immortal is set to free the soul of suicide and appease his family. They will die alone, with no one to share their worries and stress. It’s like being trapped in a lonely box.

The family will work together here to eliminate the regret of the deceased, at the same time, he led his family to meditate to release their sadness. Grind away the corners of the square and free the souls of the dead. Birth and death are a cycle to help the deceased return to the origin.